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Holy Ghost! Remixes Primaveras “Wait Until Dawn,” Debut Album Out Sept. 28

August 29, 2018

PHOTO CREDIT: AMANDA ADAM

 

PRIMAVERAS PREMIERES 
“WAIT UNTIL DAWN” REMIX
BY HOLY GHOST! AT MAGNETIC MAG
“The tune channels the synth-pop from the original and then turns up the dancefloor magic.
Holy Ghost! add some chunky bass, a fresh synth line and work in the vocals to fit their own
re-crafted beat. It is fun, infectious, very danceable and doesn’t get stale overnight.”
– Magnetic Magazine
DEBUT ALBUM ECHOES IN THE WELL OF
BEING TO BE RELEASED SEPTEMBER 28 
Primaveras has released an infectious new remix — by DFA Records’ Holy Ghost! — of summer single, “Wait Until Dawn.” Magnetic Magazine premiered the “fun, infectious, very danceable” track. The Los Angeles-based psych pop project of James Clifford is rapidly earning attention for its sunny appeal. Tastemakers like Billboard and Buzzbands LA have taken early notice of Primaveras’ refreshing sound. Formerly known asModern Howls, Clifford released debut EP Julian Jasper last year, organically earning nearly half a million streams. Primaveras will release their debut album Echoes in the Well of Being September 28.

TRACKLIST
1. 2am, Chinatown
2. Can’t Undo My Love
3. Solitude/Long Way Home
4. Better Off
5. I Don’t Mind
6. In The Lilacs
7. Kerala (Interlude)
8. Wait Until Dawn
9. Tell Me So
10. Send Me An Angel
11. “I Wish… Technicolor”
12. Before You Say Goodbye
PRIMAVERAS BIO
The stretch of Pacific Coast Highway from Malibu to Santa Monica embodies the great dualism of Southern California. Warm breezes through cracked car windows, the soft sound of waves crashing and receding into the Pacific, and the silhouette of Los Angeles are beautiful in a timeless, almost dreamlike sort of way. However, those who haven’t stuck around long enough often fail to notice the effects of erosion; buildings and signs that line the coast are faded and rusty from the salt air, evoking feelings of loneliness and emptiness. Primaveras’ debut LP, Echoes in the Well of Being, also embodies this dualism. Channeling various sonic aspects of the past to create something unmistakably of the present, songwriter/brainchild James Clifford creates psych-pop songs that are equally bright and sunny as they are full of longing and introspection. For example, ‘Can’t Undo My Love’ begins like a lazy diary entry written on a beach towel before reaching euphoric heights by way of a falsetto-layered hook. Conversely, the groove of ‘Better Off’ struts like a half-drunken walk out of a noisy dive bar, only to confront one’s feelings in the night air behind a backdrop of moving cars and neon lights.
Side B kicks off with the motor city riffage of ‘In the Lilacs,’ which showcases Clifford’s ability to tastefully weave various musical elements into something coherent and fluid. In fact, the record at times can feel like a journey through the evolution of pop music from the second half of the 20th century—60’s pop-inspired melodies are complemented by 70’s guitar licks and early 80’s synth lines, which makes for a listening experience that is somewhere between Pink Floyd’s Live at Pompeii and Chic’s second album. Side B’s penultimate track, ‘Send Me an Angel,’ is an acoustic and vulnerable palette cleanser before the rock ‘n roll excess of ‘Before You Say Goodbye,’ which ends like the final parade in Animal House—joy and bombast riddled with bits of truth about the human condition. Whether one takes the Coast Highway out of the city or into it, Primaveras’ debut record is the perfect soundtrack for a blissful escape.
Growing up in a musical family in California, Clifford began playing guitar in early adolescence and played in garage bands throughout high school. Foregoing a formal musical education, he is a largely self-taught multi-instrumentalist and producer. However, his passion for playing and writing stems from a much deeper passion for music in general. It is not uncommon for him to scour music stores for vintage guitars and synths or stay up all night listening to records. Regarding his musical vision, he seeks to employ a sense of old-school musicality while maintaining a forward-thinking and singular artistic voice; he also considers Bowie, Prince, the Clash, Funkadelic, Chic, Todd Rundgren, Roxy Music, Steely Dan, The Beach Boys, and the Beatles as some of his greatest inspirations.

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