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Mouse Shares New Single ‘Love Me Like You’re Gonna Lose Me’ – Debut EP Due 26th February via Leisure Records

January 19, 2021

MOUSE

Stunning new single ‘Love Me Like You’re Gonna Lose Me’

Debut EP Angels Never Die out 26th February via Leisure Records

Bristol’s Mouse shares another piece of her debut EP Angels Never Die, the glass-like ‘Love Me Like You’re Gonna Lose Me’.  Angels Never Die is out 26th February via Leisure Records.

‘Love Me Like You’re Gonna Lose Me’ is a moment of fragility from Mouse, written whilst “delicate, fragile and scared for the future of a relationship”. The skittering arpeggiated synths bubble under Mouse’s exposed vocals, gradually building towards the punching, euphoric chorus. 

The song features co-production from fellow Bristol artist TEEN (Illegal Data), Mouse explains how the collaboration came about:

I went to watch Saaaz’s set at an Illegal Data night in winter 2019 and turned up early, coincidentally catching TEEN’s set before. I’d never seen anyone play with rhythm, pitch and silence the way he can and found it totally captivating. I was so excited when he agreed to work with me and we’ve written more together since this track. We got to know each other throughout 2020 so it’s a real pleasure to share this with him.” 

Mouse · Love Me Like You're Gonna Lose Me

This momentous soundscape is built up from angular elements with this biting ferocity, this crushing aura that creates this expansive intensity throughout the arrangement is somehow tamed with Mouse and the soaring vocal harmonies that consume the atmosphere. Mouse has this addictive appeal to their outlook, these sharp and high notes reached effortlessly by an artist who conveys this contagious standout tone. Mouse demands her audience’s full attention, you follow every word emitting into the exploration. A compelling artist with endless potential, their forthcoming debut EP will impress all.

Bristol hyper-pop artist Mouse is ready to take her place on the celestial pantheon of pop with new EP Angels Never Die, a stunning project that takes the DIY spirit of the city she calls home and twists it into her own, brilliantly excessive image.

Taking her name from her an introverted nature and stature she was once ashamed of, Mouse came into being after she took her singing teacher’s advice (Dan Tompkins of progressive metal band TesseracT) and began posting cover videos online. 

Keen to assert herself on record and flex her production muscles, Mouse released a trilogy of headspining singles, beginning with ‘3 Weeks’ at the end of 2018. ‘Escape’ then shortly followed, pricking the ears of BBC Upload and BBC Introducing in The West, before teaming up with fellow Bristolians Leisure Records for ‘Grow’. Each single expanded her glassy, glitchy sound, gaining praise from Clash, Kaltblut, London in Stereo and more. Mouse saw out 2019 with a single on influential and experimental club night Illegal Data’s compilation and a mind brimming with ideas for new music.

What came out of a year of hunkering down, tweaking and perfecting is Angels Never Die, an astonishingly ambitious blend of hyper-pop, glitch, club and a sprinkling of emo for good measure. It also has seen Mouse fully grabbing the reins for herself, producing every track,  creating its visual identity and masterminding its ambitious scale. The tracklist is bookended by an overture and a finale both composed by Mouse, the first time she has released any of her orchestral compositions. Their grand nature set the tone for Angels Never Die; extravagant and boundary-pushing yet full of heart and emotional punch.

First single and statement of intent ‘A.N.D.’ sets the tone perfectly, a rallying call set forth on rolling snares, its soaring chorus and glassy synths as inspired by Avenged Sevenfold as it is by PC Music. Despite coming from a moment of darkness, Mouse’s joyous production elevates the track, creating a perfect gateway into Angels Never Die. It also is the perfect showcase for the genre-shredding production found all over the EP, all of which was handled by Mouse, with help from Mun Sing (Giant Swan) and TEEN (Count Baldor).

Often as brutally honest as it is often sonically inventive, Angels Never Die is unashamed in its openness. ‘Love Me Like Your Gonna Lose Me’, is a wrought plea for passion, ‘Unladylike’ a challenge of gender-norms – as a whole, it bleeds with Mouse’s inner thoughts, insecurities and desires. By the time the swelling strings of the finale set in, Angels Never Die will pull you in so many directions, surround you with eclectic sounds, but Mouse’s singular, soaring voice always cuts through.

Angels Never Die is out via Leisure Records on the 26th February 2021

https://www.shescalledmouse.com/

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