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tētēma release Necroscape on April 3rd via Ipecac Recordings, listen to “Haunted On The Uptake”

January 11, 2020
Photo credit: Sabina Maselli

tētēma RELEASE NECROSCAPE ON APRIL 3 VIA IPECAC RECORDINGS

LISTEN TO  “HAUNTED ON THE UPTAKE”

FROM THE SECOND RELEASE FEATURING MIKE PATTON AND ANTHONY PATERAS

tētēma, the bi-continental outfit featuring Mike Patton (Faith No More, Mr. Bungle) and the Melbourne based, electro-acoustic artist Anthony Pateras, return with their sophomore album, the mind-bending Necroscape (April 3, Ipecac Recordings).   

An early preview of the Spring release can be heard now, with “Haunted On The Uptake,” a track Pateras describes as sounding “like The Melvins’ tour van broke down in the Balkans and instead of going home, they decide to open a mountain laboratory dedicated to possible hybrids of Rembetika and hardcore,” streaming now: https://smarturl.it/necroscape. Pre-orders are also available via that link.

Necroscape is sculpted around isolation in the surveillance age; and although lofty/high-concept sounding, it is still an intensely fun and heavy listen. Necroscape synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics… seemingly strange bedfellows on paper, yet they seamlessly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time. In a nutshell, listening to Necroscape creates the weird sensation of exclaiming “of course!” and “wtf?” simultaneously. 

Necroscape track list: 

Necroscape

Cutlass Eye

Wait Till Mornin’

Haunted on the Uptake

All Signs

Uncensored

Milked Out Million

Soliloquy

Flatliner’s Owl

Dead Still

Invertebrate

We’ll Talk Inside A Dream

Sun Undone

Funerale Di Un Contadino

Pateras and Patton “created an intelligent but ferocious mixture of avant-garde experimentalism, world music accents, and heavy metal velocity” (All Music) within the confines of their 11-track, 2014 debut, Geocidal. NME described the collection as “Roni Size getting spiked with GHB and fed through a woodchipper” while Alternative Press said, “once you are acclimated, it will leave you tingling.” The pair, joined by Will Guthrie (percussion) and Erkka Veltheim (violin), both of whom appear on Necroscape as well, made their live debut, fittingly at the Tasmania Mona music and art festival. The Guardian said of the outing: “tētēma didn’t enrapture with anthems or token festival rock gestures, they enraptured with mood, with surprises, and with evocations rarely felt by audiences…

Ipecac.com

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