Penelope Trappes announces new reworks album featuring Mogwai, Cosey Fanni Tutti, Félicia Atkinson and more
‘Redeux’ released June 7th on Houndstooth
01. ‘Burn On’ (Mogwai Rework)
02. ‘Carry Me’ (Cosey Fanni Tutti Rework)
03. ‘Maeve’ (JFDR Rework)
04. ‘Farewell’ (Johnny Hostile Rework)
05. ‘Night Hive’ (Paul Corley Rework)
06. ‘Nite Hive’ (Nik Colk Void Rework)
07. ‘Connector’ (
08. ‘Farewell’ (Throwing Snow Rework)
09. ‘Kismet’ (Poppy Ackroyd Rework)
10. ‘Burn On’ (Félicia Atkinson Rework)
After the release of her sublime, critically acclaimed sophomore solo album ‘Penelope Two’, Penelope Trappes and Houndstooth are pleased to announce ‘Redeux’; an album of top-drawer reworks of tracks from ‘Penelope Two’, which showcase not only the intrinsic brilliance of Penelope’s composition and performances, but also her far-reaching and all-encompassing musical influences and significance.
“There were no preconceived notions of how the reworks would work together, just total freedom. I’m absolutely in love with all of these reworks! I never really thought I’d get the chance to collaborate with such an array of creative artists who have inspired me, but at this point, I’ve learned to never say never” explains Penelope.
On ‘Redeux’ ‘Penelope Two’s’ themes of life and death and of hope and dismay are still prevalent, being brought to the surface in a myriad of ways. Scottish post-rock legends Mogwai stretch out ‘Burn On’ into a scorching, warbling drone that flips the original
Other reworks are proffered by Shelter Press label founder, producer and visual artist Felicia Atkinson, off the back of an incredible 2018 for both her and the label, Felicia’s rework of ‘Burn On’ digs for the skeletal awe by stripping away many of Penelope’s multi-layered effects and pushing the bare vocals to the front with manipulated field recordings. Houndstooth mainstay Throwing Snow demonstrates his ineffable brilliance, delivering an elastic yet powerful subdued rework of ‘Farewell’. Icelandic multi-instrumentalist and vocalist Jófríður Ákadóttir aka JFDR injects nimble rhythms and guitar into piano ballad ‘Maeve’.
Poppy Akroyd, composer, violinist and pianist, Hidden Orchestra member and One Little Indian signee transposes ‘Kismet’ onto the piano adding eerie percussive embellishments. Savages producer Jonny Hostile takes ‘Farewell’ and
Penelope Trappes is a London based Australian born vocalist, musician and soundscape artist signed to Houndstooth. She spent 2016 writing and recording what would become her first solo album, ‘Penelope One’ in a piano studio in East London. Composed of mostly percussion-less, reverb-heavy atmospherics with dystopian themes, the LP was released via Optimo Music in 2017 on vinyl and as a photo book. Penelope signed to Houndstooth in 2018 and released her sophomore LP (and photo book) ‘Penelope Two’ in October 2018. The minimalist, ethereal album was built around field recordings, meditations, guitars, synth drones, piano and reverb, and deals with mortality, predestination
Under the latter