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Beans Share New Single & Video “Dreaming Daisy” – Taken From New Album “Boots N Cats” due March 15th via Fuzz Club Records

February 20, 2024
Photo credit: Danysha Harriott 

BEANS

Share new single/video “Dreaming Daisy”
Album ‘Boots N Cats’ due March 15th via Fuzz Club

Melbourne band Beans are set to release their new album Boots N Cats on March 15th via Fuzz Club Records & today are sharing their new single “Dreaming Daisy“.

On the track, the band said ““Dreaming Daisy is a song for the devil on ya shoulder. It’s basically about being an airhead/alcoholism, and the way addiction can work, speaking on differential sides, It’s about people wanting to live their life to prove right to others or their parents rather than themselves.” 

From the introduction to the jaunty keys swirling through the landscape with this ambitious essence, soon accompanied by the immediate hypnotic harmonies and emphasised by the crisp percussive hits and enigmatic shuffles, almost immediately this expressive and expansive landscape grips you. The listener embraces the weight of this melodic movement. Beans further add to the complexity of their vision with the surging addition of the deep abrasive rhythms, Beans have produced this addictive arrangement with a lasting influence.

Each track the outfit has shared from the forthcoming album further solidifies the anticipation for the complete album, already Beans have inspired, releasing tracks that convey complexity and a magnitude of commanding hooks and their vivid energy.

Serving up eleven tracks of rhythmic garage-psych goodness, ‘Boots N Cats’ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018’s ‘Babble’ and 2020’s ‘All Together Now’, it’s a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. “I’ve always wanted to make a drum-based album, dedicated around the beat first and then everything else follows”, Blach says, explaining his desire to explore “different production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brown” as much as the acid-soaked 60s/70s rock you’d expect. 
 
What emerges from the beat-first approach on ‘Boots N Cats’ charts mutant garage-rock boogies and festival tent psychedelia, by way of blissed-out funk instrumentals. The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship – never falling into the trap of taking itself too seriously. It’s a sunny kaleidoscope of chugging guitars, driving bass-lines, soaring organs and warm, echo-soaked vocals – driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: “The title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ‘nein, boot’n’cats’n’ like a simple 1,2,3,4.” 
 
The songs themselves, Blach says, are “mostly based on a state of mind or place of consciousness, intended to be open to the audience’s own interpretation as well as for my own self-release.” Hence, “life’s ups and downs” are placed under the microscope on tracks like the aptly-titled opener ‘Groove’ (based on not wanting to let loose/be yourself and dance in a crowd) and lead single ‘Haunted’ (about that near-universal sense of being ‘Haunted by the fear of failure’). 
 
‘Dreaming Daisy’ is a song for the devil on your shoulder, tackling addiction/alcoholism and “people wanting to live their life to prove right to others rather than themselves”. Elsewhere, songs like ‘Calling’ take on the paranoia of the times they were made in. It’s a suitably wonky soundtrack to “that period of Covid time where everyone, including myself, felt like they were going insane. When people were being really sensitive and reactive, calling people out over pure boredom – obviously sometimes worthy, sometimes far-fetched.”
 
Beyond its drum focus, ‘Boots N Cats’ also marks another first for Beans, in that it was entirely written and recorded by Blach himself. Setting up a DIY studio in the garage of his North Melbourne home over the pandemic, Blach began working on the record in lieu of the full band (Jack Kong, Lachlan McKiernan, Vincent Clemenston and Mitch Rice) that he’d been jamming and tearing up Melbourne stages with under a number of different monikers since they were all 16.
 
“We didn’t get to see each other as a band AT ALL”, Blach recalls of that time: “This is why the album came to fruition as it kept me sane and feeling productive to still be writing/recording and achieving something. Having this opportunity and time and space really got my tires turning so I basically recorded every part and engineered the entire thing myself. Not that we wanted it to be this way, but we couldn’t collaborate together during this time so it was a case of adapting.” 
 
Making the most of the enforced isolation to venture down new creative roads, Blach came out the other side of the pandemic with two new Beans records in the bag (“Just you wait for the next one, we will go much more folky and chill on lockdown session 2…”). Mixed and mastered by John Lee (“a master from Melbourne who actually became a true friend”), those recordings are now ready to start seeing the light of day. ‘Boots N Cats’, the first of those two records, will be released March 1st 2024 via London-based label Fuzz Club.

Boots N Cats tracklist:
1. Groove
2. Toxic News
3. Kookabura
4. Haunted
5. Strung Along
6. One To Four
7. Silhouette
8. Calling
9. Siamese Blundstone
10. Dreaming Daisy
11. Casio Casino

https://beansband.lnk.to/bootsncats

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