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Esben & The Witch Set To Release New Album “Hold Sacred” due 12th May via Nostromo Records & Share New Single & Video For “The Well”

February 8, 2023
Photo Credit: Sophie Fox

Esben & The Witch Set To Release New Album
Hold Sacred

out 12th May 2023 on Nostromo Records

Share first single/video for “The Well”

Esben & The Witch have announced the release of their new album Hold Sacred to be released 12th May 2023 on Nostromo Records. Pre-order album HERE

“Everything’s changed and nothing’s changed,” says vocalist Rachel Davies of their sixth album, Hold Sacred. “This kernel is the purest essence of Esben and the Witch since our inception.” It’s a product of the trio’s deeply important, 14-year-spanning friendship. Together, they shut themselves away to plunge into and search for solace in the depths of exhaustion, depression, anxiety, existential fear – and all beginning long before the world shut down and changed irrevocably. 

Now they release the first single from the album. “The Well” is an eerie, echoey meditation on the experience of depression. Though Davies begins the song in a dark, isolated place, she goes on to plot an escape, clinging to glimmers of resolve and hope. “I can climb out if I dig my fingers in,” she vows (a nod to fan favourite track, 2014’s “Dig Your Fingers In”). 

“A voice echoing from the bottom of a well. A call from a chamber, from within oneself, to summon the strength to climb out of the darkness, when it seems impossible.” 
Davies explains.”To call upon things often deemed frightening and to change your perception of said demons in order to survive. To build a ladder of light to aid your own escape.”

The song is accompanied by a stunning video. Inside a grotto encrusted with shells and fossils, quartz shimmers in the dark. Minerals adorned with spiderwebs glint in the light that falls through a circle in the chamber’s ceiling. A woman hides here, safe with her secrets, alone in a hermitage, waiting in exile. Stalking the folly she seeks to step out of the dark and into the light, gathering herself to leave and face the outside world.

What a phenomenal new single, a haunting exploration with ample emotive currents and this rich tonality tapestry. A volatile creation twisting and turning through this reflective turbulent journey, the atmosphere focusing on the space in the aura that brings great intensity and reinforces the vital rhythms and the powerful vocal melody. The striking lyrics are positioned with heaviness at the center of this challenging ensemble and with that commands this compelling effect and hypnotic attribute.

Esben and the Witch are back on their best form, we need this band now more than ever.

The song’s sentiment, of clawing oneself through the darkness in whatever form is possible, is at the core of the entire album. “It touches upon a spiritual strength, an enlightenment of sorts and a will to clamber out of despair and follow the light,” says Davies. 

Esben and the Witch – comprising Rachel Davies, Thomas Fisher and Daniel Copeman – began in Brighton in 2008, later decamped to Berlin, and is now split three ways across the UK, Germany and the US. Their winding geographical journey feels representative of their path as a whole. The band have snaked through various scenes and sonic worlds across their 14 years together, while always squirming away from an easy genre classification. Their first two albums, 2011’s Violet Cries and 2013’s Wash the Sins Not Only The Face — both released on Matador Records — offered gothic, electronic-tinged dream pop and post-rock. Beginning with the Steve Albini-produced A New Nature (2014, self-released on their own Nostromo Records), they came to explore heavier post-punk and metal textures, which they intensified through 2016’s Older Terrors and 2018’s Nowhere (both via Marseille-based metal label Season of Mist). 

In the summer of 2019, the band retreated to a villa outside of Rome, with no expectations or pressures but simply the intention to enjoy each other’s company and see what musical inspiration may arise from that. This is where the rough sketches of the songs that would form Hold Sacred came to be. 

The songs that were emerging were different than any previous. They’re brooding, gentle, almost ambient; there are no live drums, and the instrumentals comprise simple, sparse guitar and keys. The band used no outside producers or engineers, keeping the process limited to the three of them from start to finish — harkening back to the spirit of their earliest days when Copeman would record them in his bedroom and bathroom.

What the album’s title asks us to hold sacred is all of these little pieces of light, whether they’re found in self-sufficiency, the support of our loved ones, or the spiritual power of the earth. The album’s existence is a tribute to that; in a moment of brokenness, the three human beings of Esben and the Witch held each other up, and helped each other limp through. 

“I feel proud of us for staying strong as a trio, as a weird little family that has managed to create something out of the darkness that hopefully shimmers, like a crystal in the mud,” says Davies. “I am proud of not giving up, of maintaining our integrity throughout. This is the sound of three people who love and support each other, navigating the ever present figure of the black dog; and if we can provide help or solace for anyone else, also haunted, then that is value enough.”

Now, from here, anything could happen. “Perhaps this record will be our last, or perhaps it’s just another beginning.”

London show on 22nd September at Studio 9294

Hold Sacred Tracklisting:

The Well

In Ecstasy

Fear Not

Silence, 1801

True Mirror

A Kaleidoscope


The Depths

Petals of Ash



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