Feature, News, Reviews

Bambara Announce Mini LP “Love On My Mind” & Share “Mythic Love” (feat. Bria Salmena)

October 18, 2021
Pooneh Ghana

Bambara Announce Mini-LP Love On My Mind
(
Out February 25th On Wharf Cat Records)

Share “Mythic Love” 

Announce 2021/2022 Tour Dates
(Including Dates w/ IDLES & Nothing)

If the start of the breakthrough for Bambara was the radically reimagined sound of 2018’s Shadow On Everything (dubbed by NPR a “western gothic opus”), then the moment it truly arrived was on the cinematically riotous noir-punk of 2020’s Stray. In the UK, buoyed by the enthusiasm of 6Music DJ Steve Lamacq (who called the band, “one of his favourite discoveries of the year”), the band rose sharply, immediately selling out shows across the country. Meanwhile, back in their native US, KEXP’s John Richards echoed the same sentiment. Things were set. In fact, tickets had just gone on sale for their biggest show to date, a 1500 cap headliner at London’s Electric Ballroom.

Then…well, then same as for everyone. Shutdown, lockdown, hibernation, nothing. It was a hammer blow. But rather than rue their misfortune, the band desperately tried to turn it into a positive, immediately moving to try to make more, and – they were determined – better, music. The result is Love On My Mind – a six song mini-album, mixed by Claudius Mittendorfer – that the band are announcing with the single “Mythic Love” which features Bria Salmena (Orville Peck/Frigs) and Drew Citron (Public Practice).

That mighty drum beat and punchy bass notes commence the fierce proceedings. A raw, angular, and obnoxious creation that will immediately pull you in and hypnotizes you on the magnitude of this ensemble.

A vast and deeply expressive release, darker attributes, and brooding vocal notes add these distinct characteristics to this creation. As the exploration charges ahead, when the tempo alters and breaks the intensity, Bria’s sweeter vocal harmonies alter the tension and adds this quick contrast, and dynamically shifts the atmosphere. This entire arrangement oozes this sensual appeal forging the influence via the deep intoxicating vocal tones and the compelling lyrics. The instrumentation builds this immersive structure but the chemistry of all musicians involved keeps you submerged amongst the dense layers and leaves this lasting impression. When the track ends, you need more.

Already renowned for their sense of drama, Bambara have ratcheted up the theatrics once again with “Mythic Love,” bringing all of the hard-charging intensity of their celebrated Stray single “Serafina,” but leaving room for dynamics that build a sense of grandeur, which is enhanced by a powerful performance from Salmena

In ‘Mythic Love’ we see the two protagonists of the record meet for the first time.” Reid Bateh explains. “There’s an immediate attraction that seems almost out of their control. The song is about riding that first manic wave of infatuation wherever it leads, dismantling all of your previous associations with love along the way.” 

The completion of the mini-album was not without its challenges. With the band’s core (twin brothers Reid and Blaze Bateh, the singer and drummer, and childhood friend William Brookshire, bass) scattered across the US, they remotely pieced together an EP but as soon as it was finished, they scrapped it. In their words, it felt “dishonest”. They were striving for something new and they hadn’t hit the mark. They realized they needed to change approach so at that point they decided to reconvene in New York. Finally, things started to take shape.

By now, they had a better idea of where they wanted to head. They knew they wanted to include a couple of duets and enlisted the vocals of Bria Salmena (Orville Peck/Frigs) and Drew Citron (Public Practice). They also wanted to expand their sound palette so turned to Jason Disu and Jeff Tobias (Sunwatchers) to add trombone and saxophone respectively. They recorded again, utilizing all these new elements, sampling their recordings as they went along, in the process manipulating the sounds across the release. The final result is something astonishing.

Opening track, “Slither in the Rain,” all hissing high-hat and spectral synthlines, is a true statement of intent. It’s minimal and atmospheric, foregrounding Bateh’s raw vocals as he introduces one of Love On My Mind’s main characters, years after the events of the album are over, a lonely man who throws bottles at airplanes and dances a two-step in the pattern of a figure-8. While Bateh has always been adept at character sketches, here we are introduced to a newfound vulnerability that runs true through the entire album and causes the songs to hit on a more human level. It’s a change he readily acknowledges.

“The lyrics for Love on My Mind are a little more personal,” he admits, “and definitely more vulnerable and human. There’s more of a focus on realism. I think part of that was because I’d become zoned in on photography during lockdown. Being in NYC without being able to actually experience it made me search for representations of the way it feels to be running around in the city. And I found that in photographs. Mainly, Ballad of Sexual Dependency by Nan Goldin. This also influenced the decision to make one of the characters in the story a photographer, presenting pieces of the story through her snapshots.”

That’s something that makes sense of a track like “Point And Shoot” – – in which each stanza describes the louche, lawless scenes of “rooftop girls / standing shoulder-to-shoulder, naked figures with their hips / cocked,” busted up jaws, and couches full of burn-holes captured by the snapshots of Love on My Mind’s female lead – displays an autobiographical intimacy that is not as apparent in Bambara’s previous releases. There’s also a newfound tenderness here that hasn’t always been present before – especially on “Birds”, a rare love song (from which the mini-LP’s title is derived) and album closer “Little Wars” a gripping finale of loneliness and isolation.

It’s important to note though that in the refiguring of their sonic and lyrical sensibilities, Bambara haven’t lost the thrill of what attracted so many people to them in the first place. It’s just here the wild, kinetic energy is channeled like never before. Put simply, often the release just rampages. “Mythic Love” (featuring vocals from Bria Salmena), with its driving bassline and ricocheting guitar lines,  brings to mind past rave-ups like “Serafina” and “Sunbleached Skulls” but obliterates them in the process, while “Feelin’ Like A Funeral” – a dangerously oscillating tale of a city knifing – is probably the most thrillingly anthemic song the band have ever recorded. 

It all just contributes to the picture of something truly special. Love on My Mind is another massive step forward for Bambara, the boldest thing they’ve ever done and the sound of yet another breakthrough. This time though, absolutely nothing’s going to stop them following through on it.

Tracklist
1. Slither In The Rain
2. Mythic Love
3. Birds
4. Point and Shoot
5. Feel Like a Funeral
6. Little Wars

Love On My Mind will be released on Wharf Cat on February 25th. It is available for preorder here.


Tour Dates   
7 Dec – Richmond, VA – Richmond Music Hall (w/ Nothing)
8 Dec – Durham, NC – Motorco Music Hall (w/ Nothing)
9 Dec – Columbia, SC – New Brookland Tavern (w/ Nothing)
10 Dec – Orlando, FL – Soundbar (w/ Nothing)
11 Dec – Miami, FL – Gramps (w/ Nothing)
12 Dec – Tampa, FL – Crowbar (w/ Nothing)
14 Dec – Atlanta, GA – The Earl (w/ Nothing)
15 Dec – Nashville, TN – Mercy Lounge (w/ Nothing)
16 Dec – Louisville, KY – Headliners Music Hall (w/ Nothing)
17 Dec – Columbus, OH – Ace of Cups (w/ Nothing)
01 March – Paris, France – Élysée Montmartre (w/IDLES)
02 March – Lyon, France – Le Transbordeur (w/IDLES)
03 March – Milan, Italy – Fabrique Milano (w/IDLES)
06 March – Toulouse, France – Le Bikini (w/IDLES)
07 March – Bilbao, Spain – Santana 27 (w/IDLES)
09 March – Barcelona, Spain – Sala Razzmatazz (w/IDLES)
10 March – Madrid, Spain – La Riviera (w/IDLES)
11 March – Lisbon, Portugal – Lisbon Coliseum (w/IDLES)
13 March – Bordeaux, France – Rock School Barbey – Club
15 March – Lille, France – L’Aéronef
16 March – Leffinge (Middelkerke), Belgium – De Zwerver
17 March – Hannover, Germany – Cafe Glocksee
18 March – Berlin, Germany – Urban Spree
20 March – Copenhagen, Denmark – Loppen
21 March – Hamburg, Germany – Hafenklang
22 March – Amsterdam, Netherlands – Paradiso
23 March – Nijmegen, Netherlands – Merleyn
24 March – Groningen, Netherlands – Vera
25 March – Haldern, Germany – Haldern Pop Bar UG
26 March – Antwerp, Belgium – Trix Bar
28 March – Cologne, Germany – Bumann & Sohn
29 March – Luxembourg, Luxembourg – Rotondes
30 March – Paris, France – La Boule Noire
01 April – Bedford, United Kingdom – Bedford Esquires
02 April – Guildford, United Kingdom – The Boileroom
03 April – Southampton, United Kingdom – Joiners Arms
04 April – Brighton, United Kingdom – CHALK
06 April – Hebden Bridge, United Kingdom – The Trades Club
07 April – London, United Kingdom – Dome Tufnell Park
08 April – Cambridge, United Kingdom – Portland Arms
09 April – Norwich, United Kingdom – Norwich Arts Centre
11 April – Leicester, United Kingdom – The Cookie
12 April – Leeds, United Kingdom – Brudenell Social Club
13 April – Newcastle upon Tyne, United Kingdom – The Cluny
14 April – Edinburgh, United Kingdom – Sneaky Pete’s
15 April – Edinburgh, United Kingdom – Sneaky Pete’s
16 April – Glasgow, United Kingdom – Stereo
18 April – Sheffield, United Kingdom – The Leadmill
19 April – Birmingham, United Kingdom – The Castle & Falcon
20 April – Bristol, United Kingdom – Thekla
21 April – Manchester, United Kingdom – Gorilla
22 April – Nottingham, United Kingdom – Rescue Rooms
23 April – Cardiff, United Kingdom – Clwb Ifor Bach

https://bambara.bandcamp.com/

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