Releases Remix EP, Mixed Up
via Hand Drawn Dracula
Shares Video For “Ecstasy On Keele St”
Toronto-based producer and artist, Josh Korody (Nailbiter, Beliefs) who works under the moniker, Breeze is today sharing his new EP, Mixed Up, a collection of reworkings of tracks lifted from his recently released Pitchfork, Bandcamp, Stereogum and Clash-tipped album, Only Up – out now via Hand Drawn Dracula. Remixes of tracks including “Ecstasy on Keele St”, “Come Around” and “Hardboiled Wonderland” come from Korea Town Acid, JFK MSTRKRFT, A Place to Bury Strangers, Zoon, Prince Josh and We Turned to Red.
Mixed Up- Stream here
The new Mixed Up EP transforms Korody’s tracks, taking them from the sounds of 80s Madchester and 90s Britpop into realms of thumping drum and bass, house, fuzzy noise-rock and techno. Written, recorded and mixed in 8 days, Only Up finds Korody enlisting a whirlwind of performances from Tess Parks, Cadence Weapon and an array of names from the Toronto music scene, including members of Orville Peck, Tallies, Vallens, Zoon, Sauna, Fake Palms, Rapport, Praises, Civic TV, Moon King, Blonde Elvis, For Jane, Ducks Ltd, TOPS and Broken Social Scene. The record sees Korody digging through and channeling three decades of anthemic British bands, from the angular guitars of late 70’s post-punk (Gang Of Four, Wire), to the lush gloom of 80’s electro-pop (Tears for Fears, OMD), with the dance floor psychedelia of the Manchester sound (Primal Scream, Happy Mondays), and through the late ’90s and early 2000s post-punk/new wave revivalists, Only Up celebrates it’s sound cathartically.
The energy that Breeze emits into their creations is something else. This immersive arrangement engulfs the audience as these mammoth if not colossal rhythms cascade across the dreamy ambiance and the audience is hooked. Bouyant beats and this gritty vocal harmony soar throughout the complex composition. A real raw and angular attribute emerges and becomes this focal point for the first part of the arrangement. The rolling passages mirror this 90’s house movement. That energy is eccentric and adds this insatiable touch to the entire vision.
Written, recorded and mixed in 8 days, Only Up is the second Breeze album by producer and artist Josh Korody (Nailbiter, Beliefs). Enlisting a whirlwind of performances from Tess Parks, Cadence Weapon and an array of the Toronto music scene, including members of Orville Peck, Tallies, Vallens, Zoon, Sauna, Fake Palms, Rapport, Praises, Civic TV, Moon King, Blonde Elvis, For Jane, Ducks Ltd, TOPS and Broken Social Scene, Only Up sees Korody digging through and channeling three decades of anthemic British bands. From the angular guitars of late 70’s post-punk (Gang Of Four, Wire), to the lush gloom of 80’s electro-pop (Tears for Fears, OMD), with the dance floor psychedelia of the Manchester sound (Primal Scream, Happy Mondays), and through the late ’90s and early 2000s post-punk/new wave revivalists, Only Up celebrates its sound cathartically. “The one thing we Canadian artists struggle with the most is identity. Many of us are so heavily influenced by music from the UK, it’s ingrained in us. I went into the studio without any specific intention. What I came out with was a mashup of the music that I’ve grown up with and loved, and still love.”
When originally asked to make this album for indie label Hand Drawn Dracula, Korody and his long time friend and music collaborator Kyle Connolly (Orville Peck, The Seams, Wish) quickly threw down ideas in a session, however with Connolly embarking on a world tour, and with Korody’s demanding schedule at his Candle Recording Studio, the project sat unattended. But by the time of the album’s delivery deadline, Korody not only orchestrated a creative ensemble of friends and collaborators, he wrote, recorded and mixed the entirety of the album in two weeks without a single regret or compromise.
“It was the best way I could have done it. A strict deadline to make decisions, move on and focus on things that matter the most. I was writing, recording, arranging and mixing at the same time, all while people were sending overdub ideas. Every decision was made in that headspace. The ease of technology to endlessly tweak with, it sometimes can actually be a problem for artists who end up destroying their records until there is no soul in it, no happy accidents and it’s completely sterile. You can have a well-produced record without going down that dark rabbit hole.”
The only rabbit hole Korody found himself on was early in the process with the track “Don’t Cry.” “It was my one emotional track. It was the second song I made and it kept getting overdubs and new arrangements. The song is about my best friend who deservingly got himself cancelled, how badly he handled it, and how much it effected our scene,” Korody explains. However the rest of the album flowed together quickly and off the cusp with Korody at the helm. Delivering sharp lyrics directly to the experience of being an independent artist, musician and entrepreneur in an increasingly gentrified city. On “Let It In”, Korody sings “usually the first idea’s the best” essentially summing up Only Up’s recording process and adds the bleak but cheeky line “You hope for La La Land, but all you see is Dufferin,” poking fun at himself and peers who mostly live and work within the Dufferin area of Toronto’ west end.
Mixed Up EP
Out Now via Hand Drawn Dracula
1. Ecstasy On Keele St
2. Ecstasy On Keele St (JFK MSTRKRFT Remix)
3. Come Around (Prince Josh Low Tide Mix)
4. Ecstasy On Keele St (A Place To Bury Strangers Mix)
5. Ecstasy On Keele St (We Turned To Red Mix)
6. Hard Boiled Wonderland (Korea Town Acid Mix)
7. Ecstasy On Keele St (Instrumental)
8. Ecstasy On Keele St (Zoon Mix)