Announces new album ‘Mythopoetics’
Out July 9th on ANTI- Records
Lead single & accompanying video “Swimmer” online
Half Waif, the project of Nandi Rose, has announced her new album, ‘Mythopoetics’, for release on July 9th via ANTI- Records.
The announcement comes alongside a Kenna Hynes-directed video for new single “Swimmer.” The video, which co-stars Rose’s mother, rounds out the storyline started in “Orange Blossoms,””Party’s Over,” and “Take Away The Ache” which were released earlier this year.
“I wrote Swimmer after visiting my aunt, who has Alzheimer’s. I’ll never forget the summer we were swimming at the lake where our family has a cabin – her mind was already slipping, but her body was still strong enough to swim across to the other side,” says Rose. “It was incredible, how both things could be true. Now the only way I can reach her is through music. I sing for her with my hand on her shoulder, feeling the soft weight of her body through the blanket, pouring all of the love I have from my voice into that warm arm. I try to reconcile what is still here with what has already gone.”
Of the video, she adds: “The idea for the music video came to me while I was recording ‘Swimmer’: a motorcycle chase, a quest to find a magic flower, and then the final scene where the flower is laid at the feet of an old woman, who bursts into light and is set free. I’ve always loved fantasy, the way it can capture the most poignant human emotions even when wildly surreal things are happening. When I brought the idea to Kenna, it set us on a journey to create a four-part music video series that develops the story further, starting with the first single ‘Orange Blossoms’ – in which the elf princess is woken from a kind of catatonic state and inspired to go outside to plant a golden seed – and ending with ‘Swimmer’ – when the princess (now a motorcycle-riding warrior, after being spurned one too many times from one too many parties) retrieves the golden flower and returns to her castle to set her future self free. We filmed the castle scene at the property where my aunt lives, and the older version of me was played by my mom, which made it all the more meaningful. It’s a kind of personal mythology.”
This sublime beauty resonates within each creation Half Waif delivers to the world. “Swimmer” commences with this influx of cascade electronic elements that form this insatiable melody. As the creation expands further and the intricate elements weave throughout the soundscape, it’s the powerful vocal notes and tender lyrics which provide this ultimate hook. Half Waif ties this emotive upheaval into their vocal deliverance and lets that lasting impression bounce off of each lyric, despite the expressive and expansive atmosphere that has been crafted, “Swimmer” actually emits this truly personal, raw appeal. Half Waif allows the audience into the complex composition and we embrace the lyrical notions that bind the artist to their affections.
For Nandi Rose, writing a song is an act of transformation. As Half Waif, Rose pieces together the patchworks of our darkest and most vulnerable moments with a golden thread, crafting a majestic evocation of the human experience that permeates with a graceful strength. On new album ‘Mythopoetics’, the Hudson Valley-based artist breaks the familial patterns handed down to her, transforming this source of pain into something bearable, beautiful and celebratory. It is an essential reminder that we have the power to shape the stories we tell and the myths we make of our lives.
Half Waif’s previous albums The Caretaker (2020), Lavender (2018) and Probable Depths (2016), garnered acclaim for their compelling journeys through solitude, desire and the search for independence, blanketed under a spectacle of deeply-layered synth-pop. Her fifth full-length sees her stretch her creative muscles, as Rose pushes through the barriers of self-scrutiny and transports us into a world of mythic proportions. Charting territories of addiction, memory and loss, Mythopoetics is animated by the traces of what’s been left behind: the ghost of orange blossoms, the tail of a meteor across the sky, the taste of loneliness in a crust of bread. It is a kind of modern-day storybook where memory is spun into song and the self is explored and acknowledged with tender, nourishing care.
To bring together the world of Mythopoetics, Rose once again collaborated with multi-instrumentalist, film composer and producer Zubin Hensler. The pair came together for a recording residency at Pulp Arts in Gainesville, Florida, with the intention of creating stripped-back recordings of old songs, solely focusing on Rose and her piano. However, the playground of the studio soon transformed the project into a texturally diverse and kaleidoscopic sonic universe.
“This is the record I’ve been trying to make for 10 years,” Rose says. “My voice is changing, and my confidence has reached a point where I feel that I can sing however I want; I’ve finally come to a place where I don’t have to conform to what I think other people want it to sound like.”
By unearthing this kind of self-assurance, Rose was poised to interrogate her life with a new lens.
‘Mythopoetics’ is an album about processing past traumas in the quest for a new, sun dappled pathway, and the transformation that takes place as we take each tentative step. The artwork, shot by Ali Cherkis, sees Rose screaming in bright colors on the front, and naked, with a stoic expression on the back, representing the spectrum of emotions explored throughout each track. Change, evolution and joy take real courage, and it’s in the catharsis of telling your story that the calm, confident aftermath can finally reach the surface. Here, Half Waif is shunning the shadowed mass of generational trauma and the patterns passed down to her. Instead, she plants a seed, urging the orange blossom to sprout through the cracks in the concrete.
‘Mythopoetics’ track list:
3. Take Away The Ache
5. The Apartment
7. Party’s Over
8. Horse Racing
9. Orange Blossoms
10. Midnight Asks
11. Sodium and Cigarettes