shares first single
“Breathe Underwater” from new albumIntuition out 6th September
on Beyond Beyond is Beyond
Beyond Beyond is Beyond (Garcia Peoples, Prana Crafter, Dire Wolves, L’éclair, One Eleven Heavy etc) is excited to announce Kendra Amalie as the latest addtition to their enviable roster of artists.Her new album Intuition is out 6th September 2019.
A sweeping introduction to an artist deep into their practice, Kendra Amalie’s new album is a star map to a new and developing sound space. An exploratory and (sometimes) shredding finger-style 12-string guitarist (both acoustic and electric), band leader, synthesist, new media creator, and experimental producer, the Wisconsin-based musician is also a songwriter occupying an ethereal zone between galaxy-brain cosmic transmissions and deep, personal expression.
Album opener (and first single) “Breathe Underwater” is both an invocation and a headbanger, and –like every track on Intuition – almost nothing like any other track.
Kendra notes “Making a song like this was a shift from what I’d been doing. In 2016 I started playing with Sam Cook (bass), influenced by punk and funk. Until we met, I’d been more focused on space and texture. Over the last few years he’s encouraged the exploration of speed and structural variation. Other prevailing influences are concepts in consciousness, human potential, and spiritual empowerment personified as stories of human relationships, and how those relationships are a macrocosm of systems in the body, and a microcosm of the systems of earth and the universe. “Breathe Underwater” is kind of a return home, a connection to close the loop. Plus, a dash of polyrhythmic synth playing to the beat ala prog art rock.”
There’s a concept and narrative arc to Intuition, too, the action moving from underwater locales to boat to city to global consciousness to farmland to the etheric plane and back to water. But the movements are equally a guide through the world(s) of Kendra Amalie and a culmination/ transition/next step following a decade-and-change of cassettes and ambitious projects including Names Divine, 11:11, and a range of directions in collaborative improvised music and solo sound work. Shifting her music-making energies over the past several years, Intuition is the sound of a powerful new voice in focus.
Both rigorous and open-formed, Intuition contains multitudes, from the hypno-noise/freak-out/grace of “Become the Light” to the 12-string meditation “Improvisation For Mark Hollis,” from the psychedelic realizations of “Facets of a Holy Diamond” to the pedal steel-touched “Stay Low.”
Recorded with friends in her shed in Saint Francis, Intuition’s band included a core rhythm section of drummer Victoria Robison and bassist Sam Cook, with remote support from Taralie Peterson (cello), Al Moss (pedal steel), Peter McLaughlin (drums) and Jayve Montgomery (oboe), alongside the mixing effort of long-time collaborator Brian J. Sulpizio in Chicago. The live iteration of the album is more shape-shifting, encompassing solo performances accompanied by motion-controlled synths as well as more fully supported by a corporeal rock band. Intuition is a sound-based cross-section of a larger body of work.