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THE GOTOBEDS share new video for “Twin Cities” – New album, Debt Begins at 30 due 31st May on Sub Pop – Featuring guests on each track inc members of Pavement, Protomartyr, Downtown Boys, Shellac/Mission of Burma

April 13, 2019

THE GOTOBEDS

Get maced in the new video for “Twin Cities” – watch it here

New album, Debt Begins at 30 due 31st May on Sub Pop

Featuring guests on each track inc members of Pavement, Protomartyr, Downtown Boys, Shellac/Mission of Burma

On “Twin Cities,” The Gotobeds’ latest single from their upcoming album, Debt Begins at 30, the band taps Tracy Wilson, formerly of Dahlia Seed and currently of Positive No, to share the singing, and the result is a fiery, exuberant pop song. When asked about the Shawn Brackbill-directed video, The Gotobeds frontman Eli Kasan said:

“If you’ve ever toured or spent long stretches of time with the same folks you know nerves can fray. We found a way to release that tension by macing each other for the video. Ever seen the Purge? Me neither, but it’s the same idea.

Twin Cities is about two people (the two narrators) having different experiences in the same city, and the video reflects that. Shot entirely on VHS as we’re all old enough to own VCRs, not from Urban Outfitters – take that 90’s nostalgia blowhards!

You can watch the band burn through the song via today’s premiere at CLASH Magazinehere, and below:

Debt Begins at 30 is out on LP/CD/Digital and Cassette on Friday, May 31st. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds – as Pittsburgh as it gets, the folk music of the Steel City – have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows.

Debt Begins at 30 is now available for preorder through Sub Pop Mega Mart. Preorders of the LP through megamart.subpop.comselect independent retailers in the U.S., and select European and UK retailers will receive the limited, orange-vinyl Loser Edition while supplies last. 

Debt Begins at 30
Tracklisting:

1. Calquer the Hound (with Evan Richards of The City Buses and Rob Henry of Kim Phuc)
2. Twin Cities (with Tracy Wilson of Positive No)
3. Slang Words (with Joe Casey of Protomartyr)
4. 2:15 (with Matt Barnhart of Tre Orsi/Mint Mile)
5. Poor People Are Revolting (with Pittsburgh poet Jason Baldinger and Gerard Cosloy of Air Traffic Controllers/Homestead Records/12XU Records)
6. Debt Begins at 30 (with Mike Seamans of Mind Cure Records and Bob Weston of Shellac/Mission of Burma)   
7. On Loan (with Greg Ahee of Protomartyr)
8. Dross (with Bob Nastanovich of Pavement/Silver Jews)  
9. Parallel (with Tim Midyett of Mint Mile/Silkworm)  
10. Bleached Midnight (with Pittsburgh poet Scott MacIntyre)
11. Debt Begins at 30 (Alt version) (with Victoria Ruiz of Downtown Boys)

About The Gotobeds Debt Begins at 30:
 

Give me a minute or three to extol the virtues of The Gotobeds, the modern rock-and-roll sensation that has always sounded like they love to play. Never maligned by having the world’s weight on their backs, The Gotobeds – Cary, TFP, Eli and Gavin – return to the fray with their third full lengther, Debt Begins at 30. The esprit de corps and anxiety-free joy that permeates their other LPs and EPs remains intact. The octane is high-test, the engine still has knocks and pings and the battery is overcharged. The Gotobeds – as Pittsburgh as it gets, the folk music of the Steel City – have more tar for us to swallow. Debt Begins at 30 is an old-fashioned blast furnace and the liquid iron flows. Debt Begins at 30 is not “pub sop” in any way or shape.
 
Though I never considered The Gotobeds a band that needed assistance from their peers, Debt Begins at 30 features outside contributors on every track. The album’s first single, “Calquer the Hound,” includes local buddy Evan Richards, and Rob Henry of Kim Phuc. “Calquer the Hound” has euphony, a sly bridge, plenty of trademark bash, and a spacey outro. It’s a sanguine album opener, more Al Oliver than Starling Marte.
 
On “Twin Cities,” the lads tap Tracy Wilson, formerly of Dahlia Seed and currently of Positive NO!, to share the vox, and the result is an exuberant pop song proving The Gotobeds benefit from women ruling the scene. “Twin Cities” is more Dakota Staton than Don Caballero. “Debt Begins at 30,” the title trackular, includes the wizardry of Mike Seamans and legend Bob Weston. It’s a brooding romp with tribal beats and slash-and-burn guitar, more Rocky Bleier than Le’Veon Bell.
 
Unsurprisingly, The Gotobeds called partners-in-rock-crime Protomartyr a coupla times, with Joe Casey bolstering “Slang Words” and hook-fiend Greg Ahee shredding on “On Loan.” “Slang Words” is a savory wrecking ball with a crunching bite, more of a soft shell crab sandwich from Wholey’s Market than a 4am slop feast at Primanti Brothers. “On Loan” is an anthemic jangle-fest with high-arcing fret work, more Karl Hendricks (rest his soul) than “Weird Paul” Petroskey.
 
Silkworm guitarist Tim Midyett is tapped on “Parallel,” a grand song that enters a world of whimsy, melodic and uncomplicated, more Jaromir Jagr than Sidney Crosby. The likes of 12XU label boss Gerard Cosloy, Tre Orsi’s Matt Barnhart, the wonderful Victoria Ruiz of Downtown Boys, Pittsburgh wordsmiths Jason Baldinger and Scott MacIntyre, and yours truly strut stuff on other tracks. In my case, I just scream “dross” on “Dross” several times. Good judgment on the part of The Gotobeds to know that’s the best I can do, more Max Moroff than Andrew McCutchen.
 
Anyways, The Gotobeds have quickly reached the veteran stage, but, based upon Debt Begins at 30, their best days are ahead of them. It’s a pleasure to be associated with such an excellent band.
 
–Bob Nastanovich, 1/13/2019, Des Moines

https://thegotobeds.bandcamp.com/

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