zabel Crane is the musical moniker of Springfield, MO singer/songwriter Liz Carney, and today she’s teamed with The Bluegrass Situation to premiere her breathtaking new song “Spring Fed River.” The track is the A-side of Izabel Crane‘s upcoming single Spring Fed River b/w Creature, which will be available everywhere April 26th. Izabel Crane is many things; part stage name, part amplified version of Carney herself–a vessel to contain both the deeply personal and folklore-esque storytelling–all shrouded in timeless songwriting, Ozarkian mystery, and of course Carney’s truly stunning voice.
Listen to “Spring Fed River” via The Bluegrass Situation:
Carney’s deep well of musical influences–everything from John Fahey to Leonard Cohen to Jolie Holland–coalesced with her natural surroundings and her roots in the Ozarks to help shape what would become Izabel Crane. She explains, “My whole family calls me Izabel and my family is from a town called Crane, it just became a sort of pseudonym that represented parts of me and parts of the Ozarks.” Spring Fed River b/w Creature offers a perfect introduction to Izabel Crane’s world. It’s a place where universal themes of love and loss meet the arcane, where images of ghosts and demons often appear as stand-ins for the struggles of our most vulnerable moments. And all of this is threaded together by Carney’s undeniable talent for crafting stirring melodies–as evidenced by the sparse beauty of “Spring Fed River.”
Even as a teenager first being introduced to everything from the likes of Billie Holiday to Radiohead, Carney could already sense an intangible quality in music–an uncanny means to communicate and relate with others. She explains, “I’ve always been so shy and getting into music helped me connect with people. When you’re 15 or 16 it’s just so astounding to listen to this stuff, I would learn the songs and imagine myself playing them for people.” Before long Carney was going to school for jazz studies and playing three hour sets of standards at private parties as part of a jazz group that would eventually evolve into Izabel Crane. But the stuffiness of the classes and the limitations of the genre began to feel creatively stifling, and meanwhile Carney was also becoming more and more fascinated with her Ozarkian roots. “I was getting really interested in the history of my family, getting inspired by how beautiful Missouri is, and started thinking of my story as part of my ancestor’s story and the Ozarks being a part of me.”
As is so often the case, it was the end of a relationship that finally facilitated many changes for Carney. “I was trying to write about this breakup and the words just sounded too tongue-in-cheek paired with jazz music, so I started trying different styles and techniques, and that’s when the sound really changed,” she says. As the music evolved so did Carney’s vision for how it should be presented, the band dissolved and Izabel Crane was truly born: “My whole family calls me Izabel and my family is from a town called Crane, it just became a sort of pseudonym that represented parts of me and parts of the Ozarks.” Feeling creatively unbound for the first time in a long time Carney entered the studio and began to shape not only the character of Izabel Crane, but also the sound. “It’s a little more comfortable performing as Izabel Crane, and I liked writing from this amplified version of myself and thinking of things through the lens of this semi-character that’s rooted in how weird the Ozarks are,” she explains. “I feel like I can write stories that are a little more charged.”
Carney’s deep well of musical influences–everything from John Fahey to Leonard Cohen to Jolie Holland–coalesced with her natural surroundings, and yielded a batch of songs that included “Creature” and “Spring Fed River.” The two songs offer a perfect introduction to Izabel Crane’s world, a place where universal themes of love and loss meet the arcane, where images of ghosts and demons often appear as stand-ins for the struggles of our most vulnerable moments. On “Creature,” she describes a desperate sense of longing heard through the howling wind, like hidden messages being sent from one plane of existence to another, while warbling guitars and thumping drums build to a dramatic conclusion that showcases the power of Carney’s vocals. Carney’s surroundings heavily impacted the sound and words of Izabel Crane: “Sometimes I wanted the songs to have the specific sound of this place. When you start getting out of town you can hear these melodies that are so quiet, and beautiful, and calm.” On “Spring Fed River,” this idea is encapsulated in the stunning harmonies and sparse guitars that sparkle like light on water. The lyrics paint an Ozarkian baptism as a means of escaping the troubles in one’s mind. Carney explains, “When my grandmother was 24 she’d already been baptized five times because she was so afraid of going to hell. I was imagining taking someone to a river and helping them get rid of their demons.” It’s a beautiful song that perfectly captures the ties between Carney’s roots and her present. It’s the kind of songwriting that spans time and place–but for Carney it’s just the beginning, Izabel Crane has many more stories to tell.