Blis. Share New Track “Old Man” on NPR’s All Songs Considered – Debut LP No One Loves You  Out October 6, 2017 on Sargent House

September 29, 2017

photographer credit: Elena De Soto

Blis. Share New Track “Old Man” on NPR’s All Songs Considered
Debut LP No One Loves You 
Out October 6, 2017 on Sargent House
Fall Tour 


This week’s edition of NPR’s All Songs Considered features “Old Man”, a new track from the upcoming album of Atlanta rock band Blis. On the episode, host Robin Hilton went so far as to call Blis. one of his favorite new discoveries. Blis.’s long-anticipated debut full-length No One Loves You will be released via Sargent House on October 6, 2017The album is available for pre-order in both physical and digital formats.

Stereogum shared the band’s first single, “Stale Smoke” calling it “heavy in texture and lyrical content”. FADER premiered their second single and video “Take Me Home“, saying “The resulting themes — religion, sudden adulthood, outsiderness — are familiar.. But the Blis. interpretation is personal enough that it never feels like a re-hash; these songs are evidence that some American fears and frustrations never just go away.”

Blis. will hit the road this fall on a full US tour with Microwave and Big Jesus. All tour dates can be seen below.

Debut albums are rarely fully-formed. They’re ground zero for artists to experiment, breathing room to allow musicians to form identities within their project. Atlanta, GA’s Blis. debut LP, No One Loves You, avoids the trope: it’s an album of a band that’s lived a lot of life, exploring sonic realms that on the surface, should not go together, but manage to find cohesion. The record mosaics their influences—the intricate rock riffs of American Football, Pedro the Lion’s midtempo balladry gone awry with crucial aggression, indie rock sensibility that has mainstream press publications referencing Modest Mouse and Silversun Pickups. It was their 2015 Starting Fires in My Parents House EP that inspired Sargent House Records to sign thema cathartic, unexpected release that garnered press from top-tier places like PitchforkStereogum and Consequence of Sound. It’s easy to see that something’s in the water—and Blis. have come to prove that it’s not just hype. Far from it.

The band officially started recording under the Blis. name a few years ago, but frontman/primary songwriter Aaron Gossett has been pursuing the project for much longer. “It’s pretty much the first musical endeavor I did after high school,” he recounts. “I started biting off more than I could chew so I had a couple of friends help me. We did a record that has since been taken offline. After that we kept going, certain people worked out, certain people didn’t and we finally solidified our lineup around 2012.” The quartet—drummer Jimi Ingman, bassist Luke Jones, guitarist Josiah Smith and Gossett—have found a system that works, though the process was arduous. In the two years since their last EP, they’re at home with their lineup, they’ve spent an impossible amount of time on the road (including a two month U.S. tour with now label mates And So I Watch You From Afar) and the most life-altering: Gossett became a father, having a son with his long-term girlfriend from a very different background—she grew up in a very wealthy, very white and very Christian household. “That’s the only thing I have to write about,” he says. “We kind of created our own family.”

No One Loves You is a record of complex musicianship and even more complicated emotional development—despondent songs that criticize the negative forces in Gossett’s life while never feeling particularly hopeless. Almost every track mentions God or religion. “You have these groups of people who feel obligated by tradition and habits to follow a belief system,” he explains. “If you get to the core of a lot of religions, they’re kind of awful: really disgusting homophobic, misogynistic shit.” It’s harsh, but near the heart of Blis. —there’s loving sentiment beneath the percussion, beneath the moments of riotous riffing and explosive texture. Even the title of the record itself reflects the duality of Gossett’s interpretation. “Lost Boy” is a love letter to his partner and a criticism of blind belief: “No one loves you / Like I do,” he sings, later “No god loves you like I do.” As a stand alone phrase, it’s something much darker.

After recording the album in the mountain home of drummer Jimi Ingman, Gossett is happier with this record than anything the band has done before, the kind of joy that comes from making something beautiful after growing pains. “Prior to this…I don’t think I had really been tested by life. I was a totally different person,” he pauses. “I hope that people who listen to it think for themselves. Question the things you’re submitting yourself to.” Perhaps those are ambitious aims for a debut, but Blis. is coming out of the gate swinging. The questions is, are you with them?


01) Dumb
02) Stale Smoke
03) Take Me Home
04) Servant
05) Old Man
06) Lost Boy
07) Ugly
08) Home
09) Christian Girls
10) Pathetic
11) Broken

Tour Dates (w/ Microwave & Big Jesus):

10/25 – Chapel Hill, NC – Local 56
10/26 – Baltimore, MD – Metro Gallery
10/27 – New York, NY – Baby’s All Right
10/28 – Philadelphia, PA – Voltage Lounge
10/29 – Boston, MA – Middle East Upstairs
10/31 – Pontiac, MI – Pike Room
11/1 – Chicago, IL – Subterranean
11/2 – Nashville, TN – The End
11/3 – Atlanta, GA – Masquerade Hell
11/4 – Orlando, FL – Backbooth
11/6 – Austin, TX – Barracuda
11/7 – Dallas, TX – Club Dada
11/9 – Phoenix, AZ – Nile Underground
11/10 – Anaheim, CA – Programme Skate
11/11 – Los Angeles, CA – The Echo
11/12 – San Francisco, CA – Bottom Of The Hill
11/14 – Salt Lake City, UT – The Loading Dock*
11/15 – Denver, CO – Hi Dive*
11/17 – St. Louis, MO – Blueberry Hill Duck Room*
11/18 – Columbus, OH – Big Room Bar*

*No Big Jesus

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