Sat. 4-Nov-2017 FR Lyon – Bizarre! w/ Dead Obies
Sun 5-Nov-2017 CH Martigny – Les Caves Du Manoir
Mon 6-Nov-2017 DE Esslingen – Komma
Tue 7-Nov-2017 DE Nuremburg – Musik Verein
Wed 8-Nov-2017 DE Berlin – Urban Spree w/ debmaster
Fri 10-Nov-2017 DK Copenhagen – Stengade
Sun 12-Nov-2017 BE Kortrijk – Sonic City Festival, curated by Thurston Moore, with Moor Mother…
Tue 14-Nov-2017 UK Colchester – Colchester Arts Centre
Wed 15-Nov-2017 NO Oslo – Bla with Moor Mother
Thu 16-Nov-2017 UK London – Underworld Camden
Fri 17-Nov-2017 FR Paris – Batobar
Sat. 18-Nov-2017 FR Brest – Festival Invisible at La Carene with Action Beat and Camera
Sat. 19-Aug-2017 Double Happiness – Columbus, OH
Sun. 20-Aug-2017 Mac’s – Lansing, MI
Mon. 21-Aug-2017 Reggies – Chicago, IL (w/ Cult Of Luna)
Tue. 22-Aug-2017 Mod Club Theatre – Toronto, Canada (w/ Cult Of Luna)
Wed. 23-Aug-2017 Corona Theatre – Montreal, Canada (w/ Cult Of Luna)
Thu. 24-Aug-2017 Worcester Palladium – Worcester, MA (w/ Cult Of Luna)
With Dälek, the flow has often been usurped by scorched textures, the product of synthetic decay, themes flitting from pungent political rage through to outright Dionysian frenzy. On Endangered Philosophies, the lyrics are more focused and at the forefront than ever before, and MC Dälek’s new experiments with rhyme styles and flow makes for a vital concoction. There’s no doubt about it, Endangered Philosophies is a work of guttural catharsis, it is a call to arms.
Within the context of the current political landscape, the title Endangered Philosophies certainly brings to mind pertinent issues of moment, notably the rampant rise of anti-intellectualism, as well as the all too rapid erosion of genuinely progressive values in the face of fearful reactionary forces. In MC Dälek’s own words…“Endangered Philosophies is a very introspective record about very external forces. This isn’t about one listen… it’s about your evolving perception when you immerse yourself in the layers of sound and words. Endangered Philosophies is a record about the RIGHT NOW and yet will resonate differently each time it is listened to, in a word….timeless.” (Rolling Stone)
Dälek have been prone to outbursts of pummeling extremity, yet their sound is anything but one dimensional; with viscous dark-ambient soundscapes congealing atop their incessant beats, a dual focus on brute force and disembodied unease. And still, Dälek continue to evolve, as Endangered Philosophies takes a new approach to source material, this time making use of material sent to them by people they have friendships and relationships with including Toronto based Metz, manipulating and sampling in the same way they would use record samples.
Although the group have evolved their sound over the years, they continue to collaborate with the same behind the scenes crew who’ve been with them from the beginning, from the production team, to the artist behind the cover art (Paul Romano). Endangered Philosophies captures so many elements of past Dälek but in a new way, easily matching any of their earlier output in terms of sheer unbridled intensity.
At this stage in their career they have elevated to a frankly peerless stature; with next year marking 20 years since the release of their pivotal debut album Negro Necro Nekros, and having previously collaborated with a host of like-minded visionaries; ranging from Krautrock legends Faust, through to the 90s electronic act Techno Animal – a similarly restless project comprised of Kevin Martin (The Bug, King Midas Sound) and Justin Broadrick (Godflesh, Jesu). Fans will be thrilled – but not too surprised – to discover that with Endangered Philosophies, the group once again charge forward, continuing to resist stagnation in all of its forms.