Shares the video for new single, ‘Wild Imagination‘
Taken from the album “Wild Imagination” due 2nd June on Moshi Moshi
UK tour in June
inc. The Lexington, London on 15th June
Sweet Baboo has unveiled the new video for uplifting single, ‘Wild Imagination‘, featuring Stephen cloning himself for company after being all alone at home. Watch it below…
Director James Hankins says of the video: “Steve basically gave me complete free reign and said he was open to any ideas, which is the kind of offer that always excites me. We thought linking the 3 videos (from the album) together in some way would be good. Hopefully they’ll all work together as one whole thing too. Originally I wanted to make a musical, like ‘Singin’ In The Rain’ ha! ..but i was taken off that course when Steve told me he still had the head from his album cover. This then lead me down another route which you’ll see. We begin with part 1 which is titled ‘Wild Imagination’. Steve’s all alone at home so he begins to clone himself for company”
Stephen says of the single, “I’m hoping that the sentiment of the song is pretty universal. As with a lot of this album, I wanted to convey the same sense of hope and joy I feel when I listen to Robert Wyatt or Arthur Russell singing. Musically, I love the mix of Jeff Lynne acoustics, cheap drum machine, Talking Heads keyboard riffs and Wings guitar licks and the middle eight is lifted straight from the Euros Childs songbook.”
Sweet Baboo will tour the UK in June, dates are as follows:
Monday 12th June – Boileroom, Guildford (tickets)
Tuesday 13th June – Ramsgate Music Hall, Ramsgate (tickets)
Wednesday 14th June – The Prince Albert, Brighton (tickets)
Thursday 15th June – The Lexington, London (tickets)
Friday 16th June – Clwb Ifor Bach, Cardiff (tickets)
Saturday 17th June – Thekla, Bristol (tickets)
Sunday 18th June – Soup Kitchen Manchester (tickets)
“When you feel the need for space, run away from place to place,” Sweet Baboo sings, offering an irresistible invitation: “Here’s two train tickets, let’s go!” After the Harry Nilsson-esque love songs of 2015’s The Boombox Ballads, Stephen Black embarks on a new mission on Wild Imagination: to find the perfect pick-me-up antidote to the winter of our discontent.
The result is a bright, wry, melodically buoyant and sweetly melancholy tonic from the North Wales (born in Trefriw, near Snowdonia; now Cardiff-based) singer: a tribute to the joys of travel and the warming return home alike. Previously, Black’s co-travelling collaborators have included Carmarthenshire’s Cate Le Bon. But his sweet sentiments and winning melodies have been constant companions for all open-hearted listeners since 2003. And they prove so once more on Wild Imagination, with impeccable timing.
“I think everyone agrees 2016 was a pretty shitty year,” Black explains. “I kept thinking about my son (he’s nearly 3) and wanting to protect him from the world, so I decided to try and make an album full of positivity because that’s what I know I can do. And at the moment, I don’t know what else to suggest. As an aside, the album was originally going to be called Positive Recordings.”
The ten positive missives assembled for Wild Imagination are fully alert to the transporting and restorative possibilities of pop music. The lovingly nurtured, brass-warmed introduction of The Gardener is Black’s attempt to mimic the insta-pep opening of The Beach Boys’ California Girls; co-conspirator Paul Jones provided the arrangement, Black and multi-instrumentalist Rob Jones played the music. Another influence was Moog wizard Mort Garson’s 1976 LP Plantasia, an album made for tending plants to: tending one’s garden being very much on Black’s mind here.
The brightly melodious title-track is a love letter to Black’s son, couched in the enlivening appeal of good music. With elegant beauty, Black integrates snapshots from father/son moments with openly declared debts to his forebears. “I’ll lift you up towards the edge of the moon/ Pretend you are flying,” he sings, while adding a hint of his own aspirations: “I put on some Beatles and some old rock’n’roll…”
“You may as well aim high,” Black explains. “As with a lot of this album, I wanted to convey the sense of hope and joy I feel when I listen to Robert Wyatt or Arthur Russell singing. Musically, I love the mix of Jeff Lynne acoustics, cheap drum machine, Talking Heads keyboard riffs and Wings guitar licks. The middle eight is lifted straight from the Euros Childs songbook.”
Black’s church of pop uplift is a broad one. While Boombox looked to everyone from Nilsson to Scott Walker for inspiration, Wild Imagination frames Black as a gently inquisitive psych-pop explorer of pop classicism’s outer reaches, forever seeking out fresh melodies to brighten the perspective on a darkening world.
Stereolab’s warmly chic pulse informs Swallows, the first song written for the album; Paul suggested the French-pop feel, Rob provided the flugelhorn. The Casio-dreamy reverie of Badminton takes a dolefully introspective turn, not unlike Richard Hawley, while the mantric Clear Blue Skies reaches for a state of zero-gravity transcendence. “It’s a song about me and my son blasting off into space,” Black says, name-checking Nick Drake’s Pink Moon and Arthur Russell’s World Of Echo by way of another god-like sonic explorer. “I love the new age, Eno bit in the middle that’s held for about a minute. I’m hoping this section might grow into a monster live. I’m also holding out for a pregnancy test sync.”
A user-friendly spirit is sustained with a second-half segue in the shape of The Night Gardener, another instrumental. Hold On, meanwhile, is a lovingly intimate pick-you-up delivered with an abundance of charm. “Hold on to that smile, that smile makes coming home worthwhile,” sings Black, summing up the joys of returning home after time on tour.
With home’s appeal thus established, Black looks to travel for inspiration. Pink Rainbow is a frisky hit of funk-pop psychedelia, invoking the Super Furry Animals at play as it hymns the pull of a good train. “It’s full of coal and runs on romance,” Black says, a sweet sentiment born of innocent influences. His son’s favourite song when writing was Kermit the Frog’s Rainbow Connection. “The world can be a pretty dreary place so you may as well step out on to a pink rainbow,” explains Black, adding: “Credit must be given to [Lancaster garage-pop spouses] The Lovely Eggs’s son Arlo, who pretty much wrote the lyrics to the second verse after explaining a documentary about the Flying Scotsman to me.”
A spirit of romance continues to fuel Black towards the album’s close. On Humberside, he counts his blessings and suggests a trip to Yorkshire to ease the soul. Finally, he ventures out to America’s West Coast and back for Californ-I-A, a gently lapping lullaby for the weary traveler or child and a lovingly Nilsson-esque send-off for an album rich in warmth and wonder.
Either way, by train or ship, bag a ticket and hop on board. If 2017 is getting you down, a little Wild Imagination might just lift you out of it for a while.
Read Cate Le Bon’s Alternative Bio for Wild Imagination: https://we.tl/ybVsX4PphD
1. The Gardener
2. Wild Imagination
5. Clear Blue Skies
6. The Night Gardener
7. Hold On
8. Pink Rainbow