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Mamiffer (Faith Coloccia and Aaron Turner) confirm release date, reveal more details & share music from their new LP, The World Unseen

January 26, 2016
Aaron Turner

Aaron Turner

 

MAMIFFER (FAITH COLOCCIA AND AARON TURNER) CONFIRM RELEASE DATE, REVEAL MORE DETAILS & SHARE MUSIC FROM THEIR NEW LP, THE WORLD UNSEEN (SIGE RECORDS)
  Mamiffer (the duo of Faith Coloccia and Aaron Turner) reveal more details regarding their forthcoming LP, The World Unseen, which is officially confirmed for release via SIGE Records on 1st April. Today we are also very pleased to reveal the track listing and cover art produced by Faith – who in addition to her duties as composer, is also an artist, graphic designer and co-owner of the label. We also invite you to listen to the track “Mara” from the album which is now streaming.
  “If you must have a language, let it be one whose quantity cannot be reduced to a single sound, one that moves without displacing, that describes without being written, that knows the letter and yet is the spirit and has the spirit to be without recourse to visibility, that is made of time and not altered by time, that knows neither childhood or age, neither the tongues or the teeth that gnaw at foreign languages, that gives birth to itself, whose soul is everywhere and nowhere, that is free in its coupling. Air cut out of air… a motive force of infinity… and the world will be music… where birth and death overlap.” -Hélén Cixous
TRACK LIST
1. By the Light of My Body
2. Flower of the Field II
3. 13 Burning Stars
4. Mara
5. Domestication of the Ewe – part I
6. Domestication of the Ewe – part II
7. Domestication of the Ewe – part III
8. Parthenogenesis
 
  For Mamiffer’s Faith Coloccia and Aaron Turner, music is a divine language, a code to be deciphered, a map riddled with clues. Their latest album, The World Unseen, is a conceptual and liminal document of numinous connection through an experience with loss. It is an exploration of subconscious and psychic bonds between the past and present, and the ways in which the musical devices of repetition and incantation create hands across the chasm that divide the human from the divine.
  Through the use of piano, voice, guitar, Wurlitzer organ, bass synthesizer, tape machines, and effects pedals, Coloccia and Turner have created an eight-song aural lexicon that vacillates between Arvo Pärt’s delicate minimalist beauty, Thomas Köner’s narcotic pulses of noise, and Richard Pinhas’ sublime textural patterns. Further expanding upon their explorations, Mamiffer enlisted Eyvind Kang for string arrangements. Geneviève Beaulieu (Menace Ruine) and Joe Preston (Thrones) make guest appearances on “Domestication of the Ewe pt. III”, contributing additional choral vocals and bass, and adding greater dimension to their auditory crossings. Despite this impressive arsenal of musicians and instruments, Mamiffer ultimately depends as much on empty space as they do upon the various oscillating frequencies within their sound. “The record is imperfect,” says Coloccia. “It has within its heart an incompleteness, a stillness containing the presence of absence and loss.
  It was a slow and patient journey to arrive at the final formation of The World Unseen.  Chance, accident and imperfections were used as compositional tools, and unplanned chaos revealed itself as having its own harmonious order and healing litany. The songs took their shape from source material that stretched back as far as 2011. Mamiffer then began to capture those songs in recording sessions at their home studio and at AVAST! Studio in Seattle with producer/engineer Randall Dunn throughout 2013 and 2014. The World Unseen sees the light of day 1 April 2016 on CD, 2xLP, and digital formats via SIGE Records in the U.S. and as a CD with a bonus disc on Daymare Records in Japan.
“Mara” is the special kind of track whose meaning and tone shift upon each listen. At first, you might be caught up in the beauty of the piano keys colliding with vocals, creating some sense of real wonder. Or you could hear a slight hint of sadness, a kind of mourning and sense of loss flickering through the music. It’s because Mamiffer is able to develop a kind of emotional landscape that’s rich and full, yet leaves enough ambiguity to dramatically alter what one might absorb from listen to listen.” – NOISEY

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