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Sivu shares John Wizards remix of Better Man Than He‏

November 26, 2014

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Sivu – John Wizards remix of ‘Better Man Than He’
Debut album – ‘Something On High’ – out now via Atlantic Records              
LIVE: UK Bombay Bicycle Club Tour (Earls Court, Dec 13)
 
“Sensational” Sunday Times, Album of the Week
“Sivu turns out to be a singular talent…it veers between real uplift and real self-loathing” Q ****
“Inhabiting the same lush, windswept indie territory of Wild Beasts, Gotye or even Sigur Ros…the star turn is Sivu’s fluttering, androygnous voice” Uncut, 8/10
Heartswelling acoustic dexterity and glittering electronics…irresistible” NME
“It’s a beautiful record and there’s no way around it” DIY ****

Sivu has premiered the John Wizards remix of ‘Better Man Than He’, lifted from his critically acclaimed debut album ‘Something On High’ (out now via Atlantic Records). Following support at Radio 1 (Zane Lowe, Huw Stephens, Greg James, Phil & Alice), 6Music and XFM, Sivu follows headline dates at the likes of Oslo with next month’s huge Bombay Bicycle Club tour, featuring a sell-out date at Earls Courts on December 13 (the final show ever to be held at the venue). 
 
Sivu won widespread praise – and comparisons with the likes of Wild Beasts, Beck and Bombay Bicycle Club – for his idiosyncratic take on pop. This debut album, ‘Something On High’, is a beautiful set of starry, dark-night-of-the-soul symphonies: songs that shimmer with minor chord melodies and fluttering beats, but also move variously into aggression, orchestration or stillness.
 
The bulk of ‘Something On High’ was written in a period of transition for 24-year-old James Page. Originally from the sleepy town of St Ives, Cambridgeshire, Sivu had swapped his teenage dream of being in an Emo band for an admin job in Repossessions, when best mate, video director and future collaborator Adam Powell invited James to follow him down to London. The pair moved into a claustrophobic, twentieth floor ex-council flat in Kennington, where Sivu felt the emotional strains of this adjustment (and the guilt of what he’d left behind). Page entered a split role, working dead-end jobs by day – call centre, Topman stockroom – and crafting his own songs privately by night. The name Sivu, which is originally Finnish, emerged when searching for translation of his surname: strange but memorable, it’s a fitting snapshot of the conflicted and lyrically direct mirror-image that would become his solo alias.
 
Lyrically, ‘Something On High’ is a nuanced synthesis of the mundane with the divine. With his mind wondering amidst sales calls from the office, Sivu became fascinated with biblical stories (a topic which, not being religious, Page was surprised to find himself returning to). It’s a questioning which spans ‘Something On High’, from the heavier burst of recent single ‘Miracle (Human Error)’ to the Blur-like self-loathing of ‘Sleep’ (“I’m a lord / I’m apostle / I’m a plague / I’m the cruel part of life’s sleight of hand”) via the animals-walking-two-by-two march of ‘Bodies’ – which re-imagines Noah’s Ark as an urban apocalypse. “That song describes a time in my life when everything was a mess. I just loved the idea of wiping the slate clean.”
 
Sivu’s breakthrough moment came via a different sort of glimpse into his state of mind. The video for ‘Better Man Than He’, directed by flat mate Adam Powell, was recorded in an MRI machine live at St Barts Hospital, inspired by research into operational techniques for children born with a cleft palate. After Page spent two hours singing live within the scanner, the spellbinding results went viral: a deal with Atlantic Records followed, and M.I.A was among those who named it her video of the year. Though as revealing a first impression as ‘Better Man’ is, ‘Something On High’ goes further still. It was recorded over 18 months alongside Alt J producer Charlie Andrew, and saw the pair flesh out Page’s demos based on the blueprint of Frank Sinatra’s ‘Strangers in the Night’. “That was the first song I ever played Charlie. I loved the romance of it and the beauty of those melodies, but I wanted there to be these fucked-up textures underneath all the songs as well.”
 
The resulting album takes its evocative title from Vincent Van Gogh’s Sorrowing Old Man (‘At Eternity’s Gate’), which the Dutch post-impressionist finished two months before committing suicide. In letters, he described it as a meditation on how “the strongest pieces of evidence for the existence of ‘something on high’, namely in the existence of a God and an eternity, is…the fact that [anyone] can have moments of emotion that give him a sense of an eternal home that he is close to.“ This search for connection, meaning and identity are rife within Sivu’s debut album, a stunning soundtrack of time spent settling into a new city, young-adulthood, and the eternal search for – whatever it is – something on high.
 
BOMBAY BICYCLE CLUB TOUR
 
3 Dec Leicester, De Montfort Hall
4 Dec Plymouth Pavillion
5 Dec Bournemouth Bic Solent Hall
7 Dec Manchester 02 Apollo
10 Dec Wolverhampton Civic Hall
11 Dec Edinburgh Usher Hall
12 Dec Newcastle 02 Academy
13 Dec London, Earls Court

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