Releases new album ‘On Sunset’ on Tin Angel Records
Release date: 13th October
See his previous video HERE
“A night-driving song – melancholy yet propulsive soft rock that sounds like Dave Longstreth and Donald Fagen” Stereogum
“Krgovich’s vocal are particularly remarkable” Tiny Mix Tapes
- Features performances from Kathryn Calder of New Pornographers and from Karl Blau of Pacific Northwest
‘On Sunset’ is the new record from songwriter Nicholas Krgovich (pronounced KER-ga-VITCH), and it stands as a rich, widescreen paean to a lost Los Angeles. A smog-smudged dreamscape filled with loners, washed-up movie stars, dreamers, drifters, blooming jasmine and glowing courtyard pools, all twinkling and haunting the Hollywood Hills. A place where the light in late afternoon is bright and smooth, where the Santa Ana winds blow, where anything goes.
For over a decade, Krgovich has revealed himself to be a true pop polymath, building up an idiosyncratic and creatively restless discography. With projects such as No Kids, Gigi and P:ano—and collaborations with artists like Mount Eerie, Nite Jewel and Amber Coffman of Dirty Projectors—it’s fitting that his most fully realized and focused work yet bears his face on the cover and his full name on the spine. In some ways, On Sunset is like a debut from someone who’s long been in the game, darting around in shadows, now descending a spiral staircase, ready for his close-up.
Produced and mixed by John Collins (Destroyer, New Pornographers) and recorded by Colin Stewart (Black Mountain, Cave Singers), the album is a sweeping Technicolor extravaganza. Its cinematic arrangements, penned by composer Stefan Udell, nod to Mahler as often as Quincey Jones, and are performed by an impressive list of guest musicians and singers. In the tradition of experimental music masquerading as pop (Avalon, Cupid & Psyche ’85, Steve McQueen), On Sunset is a lonely, glamorous, late-night answer to a city’s seductive and endless sprawl; the long shadows of palm trees on the red carpet; being lost in a place where everything is happening, where people are dreaming and making things that capture the world’s attention. It’s the childhood memory of staying up late with blankets on the couch, watching Jack Palance do pushups on the Academy Awards. It’s the sound of an artist wanting to share their world but paradoxically building it out of the land of artifice and make-believe.
Nicholas Krgovich is a songwriter and multi-instrumentalist best known for his work with No Kids, Gigi and P:ano. He has been releasing records under various monikers since P:ano’s acclaimed chamber pop debut, WHEN IT’S DARK AND IT’S SUMMER (2002). This led to his recordings with the girl group inspired Gigi, the icy displacement of the R&B informed No Kids, and most recently the singular pop dreams released under his own name. Even though the material is often wildly diverse, there is an unmistakable sense of Krgovich’s deep commitment to exploring the endless possibilities of pop, his discerning ear for sonic detail, and an ambition that willfully borders on the absurd.
With songs that owe as much to the Great American Songbook as to perennial favourites like Sade, Prefab Sprout and The Blue Nile, Krgovich has been creating a rich musical universe comprised of intricate vocal melodies, lush orchestral arrangements, layers of analog synths, slinky guitars and tight rhythms of the human (and inhuman) variety.
He has toured extensively throughout North America, Europe and Asia with his various projects, and has collaborated with artists such as Mount Eerie, Nite Jewel and Amber Coffman of Dirty Projectors. In between recording and touring he has participated in a residency at the Banff Centre for the Arts, written a one-act musical for Vancouver’s Push Festival, contributed songs to myriad film and television productions, and taken his dog, Sally, on countless walks around the neighbourhood.