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ODETTA HARTMAN NEW ALBUM ‘OLD ROCKHOUNDS NEVER DIE’ OUT ON 10th AUGUST ON MEMPHIS INDUSTRIES (EUROPE)/NORTHERN SPY (NORTH AMERICA)

May 20, 2018

ODETTA HARTMAN

NEW ALBUM ‘OLD ROCKHOUNDS NEVER DIE’ OUT ON 10th AUGUST ON MEMPHIS INDUSTRIES (EUROPE)/NORTHERN SPY (NORTH AMERICA)

HEAR FIRST TRACK ‘MISERY’ HERE

LONDON SHOW AT THE ISLINGTON ON 24th SEPTEMBER

NYC artist Odetta Hartman has announced her new album ‘Old Rockhounds Never Die’ will be released on 10th August via Memphis Industries (Europe)/Northern Spy (North America).

The first track taken from the album is ‘Misery’, a dust-bowl murder ballad for the 21st century. Odetta explains: “Perhaps the earliest song I wrote on banjo, this song has haunted me since I first visited the New Mexican deserts. The jury is still out over who killed who, but one thing is certain: the only justice found is that which we serve ourselves”.

 

LISTEN TO ‘MISERY’ HERE
Odetta has confirmed one London show in September, with more dates to be announced soon.
Monday 24 September – The Islington, London – TICKETS
‘Old Rockhounds Never Die’ is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.
Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin’-tootin’ cowboy for company (‘Cowboy Song’), to experiencing the intense natural beauty of Icelandic waterfalls (‘Dettifoss’), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.
Raised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colourful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB’s. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax. Lomax is writ large on ‘Old Rockhounds…’ at least in spirit anyway. Odetta plays all the instruments on this and her debut ‘222’.
And yet, ‘Old Rockhounds Never Die‘ also embraces modernity without ever sounding incongruous. The mix of manipulated 21st century beats and the musical traditions of centuries meet at a crossroads and consummate their curiosity without inhibition. It’ll probably not surprise anyone listening to the album then that its a co-production. Odetta writes and performs all the songs while her partner Jack Inslee is in the background bringing the digital dark arts. Experimenting with found sounds & foley, the two have developed a sonic vernacular built around playing around with a-typical instruments.
The first fruits of this experiment were borne on the aforementioned, critically acclaimed 222. ‘Old Rockhounds‘ takes the blueprint and improves upon it, with songs yet more vivid, sensual and cinematic or, as NPR observed in their recent premiere of ‘Misery’, “like so much of Odetta Hartman’s music, it draws from many styles and eras at once, while sounding like nothing and no one else.”

 

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