SALTLAND SHARES NEO-CLASSICAL/MINIMALIST NEW SONG “FORWARD EYES II” FEATURING WARREN ELLIS;
A COMMON TRUTH IS OUT 31 MARCH ON CONSTELLATION
SALTLAND IS REBECCA FOON (THEE SILVER MT.ZION, ESMERINE)
Cellist, composer and veteran member of Montréal’s tight-knit independent music community, Rebecca Foon is to release a new album as Saltland. A Common Truth, shall arrive on Constellation, March 31st.
Saltland has now shared “Forward Eyes II,” a gorgeous instrumental composition that features Warren Ellis (Nick Cave, Dirty Three). The song is at once dramatic and minimalist, with ambient keyboard underpinning a plaintive cello melody. It was premiered by Discreet Music on RBMA Radio hosted by Sam Hockley-Smith. In their recent review, The Wire noted the song blossoms “with convincing beauty and hope. Its sweetness however fails to quell the feeling of anger pervading this album’s call to arms.”
A Common Truth is a sonic meditation on climate change: the hope, diligence, anxiety, sadness and desperation of the climate movement and of our collective consciousness as social fabrics become increasingly frayed and scorched by fossil fuel dependency and environmental degradation. A Common Truth channels these themes through immersive, restorative music of austere warmth, constructed almost entirely from Foon’s wide palette of cello sounds, evenly balanced between instrumentals and songs featuring her voice and lyrics. A great example of this is the piece “Light Of Mercy” which we are sharing today, co-written and featuring violin, pump organ & loops by Warren Ellis (Nick Cave, The Dirty Three), and backing vocals by Ian Ilavsky.
Foon co-founded the Juno Award-winning contemporary chamber group Esmerine in 2002 and was a core member of the celebrated cult post-punk band Thee Silver Mt. Zion Memorial Orchestra from 2001-2008 and the experimental instrumental collective Set Fire To Flames. Foon was also a founding member of the instrumental trios The Mile End Ladies String Auxiliary and Fifths of Seven. Alongside over a dozen albums as a composer and player with the aforementioned projects, Foon has a long list of recording and performing credits as a guest player, and several soundtrack projects under her belt (including the award-winning tar sands documentaryH2Oil). Most recently, she has been a member of Colin Stetson’s acclaimed “Sorrow” orchestra (performing Gorecki’s 3rd Symphony) and part of the band for the live documentary performances of filmmakers Sam Green and Brent Green
Saltland is Foon’s ‘solo’ project, the seeds of which were planted with a series of local Montréal performances under her own name in 2010-2011. As a first album took shape in 2012, Foon wished to give the music its own moniker and identity, and to leave room for the project to take on various members and configurations. Saltland’s 2013 debut record I Thought It Was Us But It Was All Of Us was released to broad critical acclaim and featured a long list of Foon’s friends and past collaborators as guest musicians, including Jamie Thompson (The Unicorns, Islands), Richard Reed Parry and Sarah Neufeld (Arcade Fire), Mishka Stein (Patrick Watson) and Laurel Sprengelmeyer (Little Scream). The record was produced by Grammy-winning engineer Mark Lawson (Arcade Fire).
For her second Saltland album A Common Truth, Foon set out to create a more rigorously solo work, using her cello as the predominant source for all the music and sounds on the record. Working with producer/engineer Jace Lasek (The Besnard Lakes), Foon combines both unadulterated and processed cello to forge the entire sonic landscape – the notable exception being violin and pump organ contributed by special guest Warren Ellis (Nick Cave, Grinderman, The Dirty Three) for the album’s four instrumentals. Foon sings on the other five songs in a voice that UK music magazine Mojo has described as “an instrument of somnolent, gossamer allure which floats gracefully amid the eddying, amniotic music”.
A Common Truth is also an album about climate change and an attempt to musically translate a complex mix of emotional, social and political resonances in this regard. Foon unfolds an atmosphere and pace on the album that allows for the coexistence of optimism and despair, resolve and resignation, the intimacy of the local/personal and the hope of the global/collective.
Climate action is of particular importance to Rebecca Foon as she has devoted much of her life in recent years to working for decarbonization, land conservation, renewable energy and urban green strategies – as a member of the Canadian cooperative consultancy Sustanability Solutions Group, as founder of the Peruvian-based rain forest conservation charity Junglekeepers, and as co-founder of Pathway to Paris, an international concert series bringing together musicians, writers and environmental activists to help raise consciousness and create action in support of a robust international climate agreement.
Rebecca Foon’s new Saltland album A Common Truth is the fullest expression and coalescence of the multiple trajectories this committed and inspiring artist, activist, teacher and organizer has been living and pursuing in recent years.
Saltland – A Common Truth
(March 31st, 2017 – Constellation Records)
Pre-order A Common Truth: cstrecords.com/cst123
1. To Allow Us To Breathe
2. Under My Skin
5. Forward Eyes I
7. This Other Place
8. A Common Truth
“With a voice equally suited to opening petals and opening wounds, Foon sings to the earth like a mother to a newborn, beaming with hope while gripped with fear. But she also offers an alternate form of resistance: transformation.” – NPR
“Foon’s voice [is] an instrument of somnolent, gossamer allure which floats gracefully amid the eddying, amniotic music.” – MOJO [4/5]
“Foon’s voice is delicate, yet gripping, and she captures complete despair with a calming grace, breaking your heart gently when she resigns to ask, “How to break this vicious cycle of greed?” It’s the most prominent question of our times, and Saltland reminds us of its grave urgency.” – STEREOGUM
“Impressionistic and poignant” – WNYC