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C O L L E C T R E S S unveil the details behind their debut album Mondegreen & invite you to download the jubilant sounds of “Spell”‏

January 21, 2014

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C O L L E C T R E S S UNVEIL THE DETAILS BEHIND THEIR DEBUT ALBUM MONDEGREEN & INVITE YOU TO DOWNLOAD THE JUBILANT SOUNDS OF “SPELL”

Following my initial announcement, I am pleased to offer you another window into the enchanting world of C O L L E C T R E S S, a talented collective of UK based multi-instrumentalists who are self-releasing their debut album, Mondegreen 24th March 2014.
As well as revealing more specific detail about the album, we can share a track for you to download from it. Live dates for March have also been announced, including album launch shows in London and Brighton and a notable appearance at this year’s Women Of The World Festival at London’s Southbank Centre.

ABOUT MONDEGREEN…

Having collaborated in various forms for a decade, C O L L E C T R E S S formed in 2009 and have since then been engaged in a series of performance commissions for film, archives and expanded cinema, all of which inform their debut album, Mondegreen. Here C O L L E C T R E S S define themselves, weaving together composed and improvised songs which glow, shimmer, move and unsettle; resplendent in beauty, their tone is evocative, full of rhythmic energy and powerfully involving, with soaring strings and blooming deluges of colour.
Mondegreen’s song titles represent the sounds and locations that inform each particular piece of music: “Whitechapel” thaws the numbing cold of the empty church in which it was recorded; “Goodbye” rises and falls with the undulating sigh of a great expanse. “Owl” teems, crawling with the sounds of heavy breathing and crunching gravel. The whole album is alive with sounds, urgent footsteps and creaking doors, bicycle wheel clicks and rifled cards all nestling themselves between delightful string arrangements – Mondegreen is bursting at the seams with imaginatively organised sound, and you can’t help but be thoroughly engrossed.

Coined by Sylvia Wright in an essay in Harper’s Magazine in Nov 1954, a Mondegreen is the mishearing or misinterpretation of a phrase as result of a near homophony, in a way that gives it new meaning. Likewise, C O L L E C T R E S S find fruit in mishearings and happy accidents recognising that paths through are sometimes oblique or followed without intention; they flow intuitively from improvisations where the outcome can’t be known but is often far more beautiful than could ever have been planned. Music is a form of recycling where every new player, every new listener, makes new, unique and often very personal meaning from essentially the same set of notes or sounds. This record has been made with four sets of ears making four sets of collaborative hearings and mishearings, and shaping together the paths that flow from them.

DOWNLOAD AND SHARE THE JUBILANT SOUNDS OF “SPELL”, FROM THEIR DEBUT MONDEGREEN:

TRACK LISTING:

1. Whitechapel (Flint Wall)
2. Spell
3. Harmonium
4. Pumphouse
5. Owl
6. Woodenheart
7. Whitechapel (Teal)
8. Movement
9. Mouseclover
10. Whitechapel (Hat In The Ring)
11. Rolling
12. Goodbye
13. Before And After

C O L L E C T R E S S  are: 

Quinta (violin, viola, saw, keyboard, vocals),
Caroline Weeks (flute, vocals, guitar, keyboard),
Rebecca Waterworth (‘cello, keyboard, vocals)
Alice Eldridge (‘cello, custom software, field recordings, vocals)
With a collective biography of collaborations which includes the likes of Bat For Lashes, Patrick Wolf, Philip Selway (Radiohead) and Penguin Café Orchestra, the four members of C O L L E C T R E S S come together to craft music both daring and unique, but also compellingly familiar and filmic.
Described as a cross between the Elysian Quartet and possessed Brontë sisters teasing an unsuspecting dinner party (Foxy Digitalis), C O L L E C T R E S S are a quartet of long-term musical collaborators from London and Brighton. Their music treads a joyful line between the intricate and organic, with a nod to everyone from Philip Glass to Bach, improvisors like The Necks to lo-fi chamber groups such as Rachels. They play and write with a sense of narrative, drawing the listener into a thoroughly distinctive and beguiling world of experimental chamber music.
Their collective ethos, aesthetic and approach are inspired and informed by the practices which complement their performing lives: visual art, composition for film and TV, dance for camera and music informatics and free improvisation. C O L L E C T R E S S are a band of process and resourcefulness, their broad and dense experimental structures utilise voice, toy instruments and found sound samples alongside layers of more traditional, often romantic, strings, keys and woodwind – violin, viola, cello, flute, piano and guitar.
LIVE SHOWS:
Friday 7th March, WoW Festival, Southbank
Sunday March 23rd Vortex, Gillet St, London
Friday March 28th St John’s Church, Bridgetown, Totnes
Sunday March 30th Little St Peter’s, Preston Park, Brighton
As a reminder, you can also watch a video clip for the track Whitechapel (Flintwall) http://vimeo.com/80781599 and watch live footage of the collective performing in Union Chapel on 30th November via Youtube, here’s one clip to begin with: http://youtu.be/ovv58hBfLKM.
Mondegreen will be available for purchase via the band’s own Peeler Records in March at the following location: http://peelerrecords.bandcamp.com/

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